Thursday, December 29, 2011

Seismic Audio - 212 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12" Speakerless Cabinet - Vintage 2x12 - Black Tolex - Wheat Cloth Grill - Front or Rear Loading Options

!±8± Seismic Audio - 212 GUITAR SPEAKER CAB EMPTY - 7 Ply Birch - 12" Speakerless Cabinet - Vintage 2x12 - Black Tolex - Wheat Cloth Grill - Front or Rear Loading Options

Brand : Seismic Audio | Rate : | Price :
Post Date : Dec 29, 2011 16:57:14 | N/A

Removable back panels for rear speaker loading. Plenty of wire to hook up the guitar speaker of your choice Black Metal Handle on each side Metal flush corners Dual 1/4" connectors on the back Light Weight Cabinet35.3 pounds>LxWxH: 30.25" x 12.25" x 25"Brand N One year warranty Our "Luke Series" Seismic Audio empty guitar cabinets are made of 1/2" Birch plywood on all 6 sides.  These cabinets come loaded with everything you need except the speaker.  We are very proud of the Luke series cabinets.  These each have a wheat grill of various colors and are covered with a clean cut Tolex.  The Luke series cabinets can be front loaded, as the front cloth grill is removable and easily reapplied.  Some of the Luke series empty guitar cabinets cab be rear loaded as well (see above).  Each cabinet comes with a dual 1/4" metal jack plate and plenty of wire to hook up your speaker.  Each cabinet is well braced and offers a nice boutique look.  We have three different models, an original look, modern look, and vintage look.  The cabinet you will receive is described above.

  • Model Number: Luke-2x12TR (Black Tolex Cover/Wheat Color Cloth Grill)
  • Birch Plywood - 12" Empty Guitar Speaker Cabinet. Guitar Speakers are not included
  • Removable Grill for front speaker loading - Grill pops off and on with ease - Removable back panels for rear speaker loading.
  • Plenty of wire, Strap handle on top, Metal flush corners, Dual 1/4" connectors on the back,
  • Light Weight Cabinet (35.3 pounds) - LxWxH: 30.25" x 12.25" x 25" - Brand New

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Tuesday, December 20, 2011

Best Recording Guitar tips with Amp on computer in the Studio at home

www.eComputerRecordingSoftware.com - check out my blog and get my FREE ebook " Music Production 101 " Recording Guitar through an amp is simple if you know the basics. There is also more than one way to skin a cat as they say . In this video I show you some tips how I produce a song from scratch in my home studio, starting with the brief to recording guitar through a vintage amp through a condenser microphone to recording the vocals to Audio Recorder Sofware. The brief was to compose a song in a Motown RnB style . I think we did a great job . What do you think ?? Please tell me if you can recognize which song we used as a guide to base our song on ?? If you get it right I will pick to give one person my next music production course "Advanced Music Production " for free . http

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Thursday, December 8, 2011

Dire Straits - Sultans of Swing abandoned ad-lib by Mike Dunne (Chapter VIII)

Hey guys, thanks for watching.. im Mike Dunne, im 17 and im a guitarist from Birmingham UK. A play for quite a few bands around atm including my own funk band Chapter VIII (check out the other vids of them). My number 1 hero has to be Mark Knopfler and this is my tribute to him --- this isnt an exact copy of the original solo but snippets of Knopfler's style against the backing track. Thanks

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Friday, December 2, 2011

A Child's First Guitar

!±8± A Child's First Guitar

You've known for years that your child had an ear for music. The time has come to
begin music lessons and he says the guitar is his instrument of choice.
No reason for you to worry, there's no rule that says bad habits and guitar playing have to go
hand in hand! The guitar is a versatile instrument that he can enjoy playing for the
rest of his life.

WHAT KIND OF GUITAR WILL I NEED?

A common mistake I see parents make is buying a poorly made guitar so they will not have
wasted a large sum of money if their child decides the guitar is not the instrument for him.

To start a child out on a guitar that has poor tone and is difficult to play is practically
a roadmap for failure. Mastering the guitar is not a simple task. A child deserves some
reward when he does something right and this is something only a quality instrument can give.

Buy a guitar suitable for the age and size of the child. The neck and body must be the
right size the child's hands and arm length. For younger childer (10 and younger) three quarter
(3/4) size guitars are available.

ACOUSTIC OR ELECTRIC?

I'm sticking my neck out on this one, but for instant gratification you can't beat an
electric rig. In addition to a guitar, you will need to buy a small amplifier and this will
stop some parents in their tracks, but hear me out. A lesson or two will focus on setup of
the rig and what the knobs on the guitar and amp are for, but an electric is easier to play
and a kid can get a few good sounds out of the guitar much faster. You can always branch out
into acoustic later once the fingers get stronger and more conditioned.

NEW OR USED?

There's nothing wrong with buying a used guitar that's in good playing condition.
Guitars are not like cars; a good guitar having been handled with reasonable care improves
with age. Look at the guitars that the professionals play. Do those instruments look brand
new to you? Hardly

Cruise the pawnshops, Ebay and the classifieds for possibilities. Of course these avenues

have a huge "Buyer Beware" sign on the corner. No returns allowed. Do you have a friend
that plays guitar? If this is the case, I'm sure that he won't mind if you ask him to go by
the pawnshop or to the garage sale with you, play the guitar you found and give you an opinion.

Go to the guitar forums on the internet and see what the others have to say about the
instrument that you are considering. Expect to see contradicting opinions. But if a

large percentage of the posters say any given guitar is a piece of junk it would be a good
idea to look for another axe.

HOW DO I KNOW WHAT THE GUITAR'S WORTH?

Try checking on Ebay to see what guitars comparable to the one you are looking at have sold
for recently. It's hard to know if you are comparing apples to apples even when comparing
identical model numbers of identical brands but you can get a general idea. You can check

the Blue Book of Electric Guitars, Acoustic Guitars and the Blue Book of Amps for a value,

but again these figures are merely guidelines.

WHERE DO I GO FOR HELP?

While the advice that can be obtained at a local music store can be invaluable before
you take the suggestions made by the salesperson you should ask the following question:
Are you a guitar player? If the answer to your question is no, ask for a salesperson
that plays guitar to help you or go and get that guitar playing friend to help you choose.

That's one of the perks of playing guitar, the friendships you make along the way.


A Child's First Guitar

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Tuesday, November 29, 2011

Mondays Waiting ~ The White Harts

The White Harts are Norrie Law on vocals and guitar; Stoney Littleton on bass and vocals and Willy Howe on drums. Hailing from all corners of the British Isles they now reside on the edge of Windsor Forest in Berkshire. - King Sil Muso Anorakia: Guitar 1 - Fender Tele US standard / Behringer V-Amp Guitar 2 - Fender Tele US standard / Behringer V-Amp Bass - Vox Standard Bass (Japanese 1982) Drums - Alesis SR16 Vocal 1 - JM47/ joe meek VC3Q Vocal 2 - JM47 / joe meek VC3Q Vocal 3 - JM47 / joe meek VC3Q Recorded on Korg D1600 Mastered with Wavelab Lite / Nero Wave Editor (All songs on King Sil are written, recorded and performed by Neil Clark in the spare room:-)

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Saturday, November 26, 2011

MEGADETH - FORECLOSURE OF A DREAM (cover w/ all solos)

hi im sid, im 15 years old . this is Me playing foreclosure of a dream by megadeth.far from perfect, but i really wanted to upload a new video so here it is. gear used: jackson ke3 kelly roland cube 15x digitech rp90

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Thursday, November 24, 2011

Zoom G1 Review Part 2 - Mike's Gear Corner

Hey guys, so the review of the Zoom G1 pedal. Part 1: Introduction and Patches. www.youtube.com Part 2: Effects/Amps & Conclussion Also check out my other video's on youtube and my myspace at: www.myspace.com www.myspace.com Please Subscribe for more video's and updates!

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Monday, November 21, 2011

Successfully Living - With a Cat

!±8± Successfully Living - With a Cat

First, a cat is a cat. This may seem obvious but there are certain things one needs to realize about them. They come across as arrogant and aloof. Felines seem wicked because they like to play with unfortunate critters they have caught. Cats seek to please only themselves and consider the family they live with to be their minions whose only goal in life is to wait upon the cat. After all, a female cat which is not neutered is referred to as a queen. How appropriate is that! How successfully a cat enslaves its minions is definitely up to the minions. If you can tolerate its yowling when it wants something, you can make it wait for it. One does not have to drop everything and wait upon the cat. Remember, you are a human, top of the food chain, our species dominates the world, and it is a cute, lovable, noisy, mammal that really is hard to refuse. But, you do have the option of not being a slave to it. Be strong, it doesn't hurt to let the cat wait a few minutes.

Cats are not really arrogant. They just don't care about humans the same way as dogs do. Their species has associated with humans for thousands of years but it is not a social species to begin with. Dogs on the other hand are. The family becomes the dog's pack. Cats like our company, they just don't express it the same way as dogs. If they did not like us, they wouldn't live with us. They can be independent as long as they know how to hunt. House cats that never had a mother feed them wild critters rarely know how to hunt. While going to college, I worked on dairy farms where unwanted cats were dropped off. No extra cat one day, the next a terrified, new cat. It was pitifully obvious they were terrified, out of their element in this noisy, dangerous environment where they didn't know how to get food other than have a human give it to them. Even if the farm help fed the farm cats cat food, the new cat didn't know where it was and if it tried to eat, the other cats bullied it away. The farm cats did not like an intruder and were constantly fighting with and hurting it. Dropping off an unwanted cat on a farm becomes the most inhumane thing anyone could do to a cat. Drop offs usually lasted a week, maybe two before they died in some horrific way involving machinery. They rarely lasted long enough to fit in and death even by being mangled in machinery was better than what life they were living.

Aside from the horrors of unwanted cat drop offs, it was on these farms that I saw cats behaving in a more natural way. Mothers would bring their kittens mice from the field and they called their babies with a special call. Kittens would come running from every where. The mother would drop the live mouse in their midst and go back out for more. The kittens learned to hunt by stalking and "playing" with the poor mouse. When adult cats do this, they are just being a kitten again. They do not have any feelings of remorse because they are cats, not people, and the mouse is just lunch. I can't remember the last time I felt remorse for a sandwich. I don't usually play with my sandwich before I eat it, but I definitely don't feel remorse.

We had a cat who adopted us. His name was Lester. Actually, his name was Lester, Lord of All Carlisle. We lived in Carlisle at the time he came to us. One day he just appeared in our sheep barn. He had moved in from the farm just up the road. I recognized his looks as resembling those of cats that lived there. He was an attractive cat. Gray tiger with white markings on his chest and feet. He was somewhat friendly so we took him in. It didn't take too long to figure out Lester wasn't quite right. He wasn't a loving cat. He tolerated attention and had such a quiet purr you needed a stethoscope to hear it. He showed affection by biting and putting his paw on your nose. He would stretch up to do this if you were sitting down. If someone was sitting on the couch and he was on the back of it, he would grip their head in his paws, claws extended so the victim couldn't get away and then chew lovingly on their hair. The older he got the less clean he was. The only thing he would clean was his face and behind. Everything else in between was very much like a rancid dog. He was an old poop, but he was our old poop so I kept taking care of him...when he was around. Lester often disappeared for several weeks if not months at a time. He would come back like it had only been since that morning he had been away. It wasn't like having a "real" cat. I wanted one that would sleep contentedly on my lap and purr with the power of a motor boat. Lester wasn't a total dud. He caught and killed all manner of rodents including rats and weasels. It's a rare cat that will take on a rat because they are large and can be quite aggressive. I was absolutely astounded over the weasels. They are small, very vicious, predators known for killing chickens, an animal very much larger than they. They know how to kill. A really tough match for a cat, much more so than a rat. He earned his keep when he killed weasels. They were attacking our chickens and if he was brave enough to tackle a weasel, I would continue to take care of him.

During that time, my oldest son was almost one and a half and Lester seemed pretty tolerant of him. We wanted a border collie so got a pup we named Fergus. Lester treated the puppy like his pet. When he first saw Fergus, he acted happy like: oh, thank you, you got me a puppy. Years went by and we added another son to the household. This time, the new baby made just too much noise and Lester moved out and wouldn't come into the house. He would eat outdoors, sleep outdoors, and would just come around to show you the frog he had just caught. For some reason, he wouldn't eat the hind legs and I would find perfect pairs of frog's legs, still attached to one another all over the property. We moved to another location. By that time, the baby was a toddler and not quite so noisy so Lester decided to move back into the house. It was while we were there that I went to a farm to get a real cat. The kids on the farm brought her out to us. A pretty little female kitten marked light gray and white. They told us she was from a line of loving, great cats. She came home with us and my three year old named her Elmer.

Elmer had all the barn cat maladies...ear mites, worms, fleas and after getting all that cleared up, she tried to fit into the household. Fergus let her know immediately who was boss. He picked the tiny kitten up in his mouth and terrorized it and me by growling and gnawing at the little thing. He dropped her and she scuttled under the couch only to come out less than a minute later, unhurt but soaked with saliva from the dog. She walked up to the dog and rubbed against him. You're the boss, I'm the cat, I'll remember that. If I had just been in a large animals mouth being chewed on, I wouldn't have been so nonchalant about being immediately friendly with the creature that did it. She decided if Fergus was the boss, she was next in line. It didn't matter that Lester had been with us for years, it was her house. I would look into a room to see Lester trying to walk through with a kitten holding on to his neck and chewing on his ears. He was a real trooper. He just kept walking with his head to one side weighed down by Elmer chewing and just tried to ignore her. He could have really hurt her, but he didn't. Lester finally had enough and moved down cellar. He became like a weird guy that lives in the cellar and because he never comes up, he gets weirder. Lester didn't want to leave it. Took his meals there, had a litter pan, and presumably hunted rodents and slept. If he needed something, a paw would come out from under the door and bat around to get our attention. Periodically, I would eject him from the cellar to get some fresh air. Elmer ruled the house, or as much as Fergus would let her.

Elmer has been my good friend, now, for 11 years and though we've had our squabbles, she and I are pals. Not so much with the kids. The secret to a good relationship with a cat is to be able to read it properly and they had trouble with this. It can't really talk to you so the way it will let you know you are over stepping bounds is to swat you. But, if you watch carefully, the cat will tell you it has had enough with it's body language. Maybe the ears go back, its eyes might look evil, and it may twitch its tail. Most of all, if it ever starts growling with it's ears back, tail whipping from side to side, and proceeds to hiss, get out of claw range quickly because this is one really ticked off cat and blood is about to be shed...yours. I was raised to respect the animal and if ever I got scratched or bit, the first question was: What did you do to the cat/dog? They need their space and they may be "owned" by us but they need to be left alone when they want to be. One thing to never, ever do to a cat is to pat it like you would a dog. They don't tolerate this well and will shred the hand that is doing it.

Elmer wouldn't bother with my son until both got older. She sometimes slept on his bed, which he didn't like because if he stretched out his legs, she would attack his feet under the covers. He tried all sorts of things to make her leave the room, but she wouldn't budge. He eventually found one thing that worked. He would get up, ask the cat if she wanted to be fed and no matter what time of the night it was, he would trudge downstairs and give her food. This was a mistake. Elmer soon figured out all she had to do was bat at the boy's feet a little and he would get up and feed her. She soon ruled the night. When I found out Elmer had enslaved my son, I gave him some hints on how to make her leave. My favorite was to just put a blanket over her. She hates that and will bolt from the room. Now, if she is in his room, he just cranks up the electric guitar and amp, and she flies out.

Even at a young age, Elmer was a killer. I read one time that cats are good hunters if their mother feeds them wild meat and shows them how to hunt. Her mother must have been an excellent hunter. She caught mice, voles, moles, and shrews. She didn't eat the moles and shrews, she acted like they didn't taste good. As she got bigger, she would come home with young rabbits and an occasional adult even though they were her size or bigger. She would give them to our dogs, making the same noises as a mother cat calling her kittens and leaving it to go off and get more. More than once, she chased a mouse through the house and got it. And more than once she brought one of her little playmates into the house to play with. I issued an ultimatum that no one was to let her in unless her mouth was checked first. None of Elmer's playmates, living or dead, were allowed in the house. The one rodent she wouldn't tackle was a rat. She saw one in a trap and was obviously frightened of it. Rats were Lester and Fergus' domain.

As long as she caught rodents, I was happy. I was intensely unhappy when she caught birds. Elmer knew of my displeasure because she would hide the fact she had a bird. She was always very proud of the rodents and always brought them home to show us before she ate them. If I saw her with a bird, I would take it from her and if it was still alive, let it go. So, she started being secretive with her bird kills. One time I let one of her catches go and the look I got was downright evil. About half an hour later I came out of the house to find a headless bird, still warm, on the back porch. My older son thought it was Elmer's way of flipping me the bird. Whether or not it was, I got the message. There, let's see you let that one go. Another time, she was behind the greenhouse and came around the corner with feathers stuck to her face. Bird? What bird? I wasn't eating bird. Nope, no bird here. One day, before she was fully grown, I saw her stalking a wild turkey. These are huge birds and that didn't seem to matter to Elmer. It was a bird and she was going to get it. I scared it off because I could just see Elmer leaping on it and the turkey flying away with her clinging to it's back.

So, what is the relationship we have with cats? They depend on us to give them shelter, food, warmth, and scratches about the neck and ears. We have the opposing thumb thing going on, they don't. We have to open doors for them to let them in and out...which if you own a cat, you know this is frequently. And if it's raining or snowing, they stop dead in the doorway, curl their tail and won't go out. At this point, gently but firmly nudge them out with your foot. Or, if they are like Elmer, if they see it is miserable, snowy weather out the front door, she goes to the back door to be let out. When the door is opened she seems disappointed because it's the same weather out the back door too. We save them when they get stuck in trees, from dogs chasing them, and other cats beating them up. We buy their favorite food so they don't have to eat something with hair on it. Though I have often wondered where a cat would get shrimp and salmon in the wild. Wouldn't it be more appropriate to have moist mouse in a pouch or rat in a tin? We make sure their litter box is clean and we throw toys for them to play with. What do we get in return? A really good friend who may keep the rodent population down in the house. One who likes to snuggle up to you to share warmth and show how contented they are by purring like a motor boat. If they are like Elmer, they want to get up on a shoulder when it's cold to wrap themselves around someone's neck...and stick cold paws against the human to warm them. In a lot of ways, cats are like babies. They are loud, yowling things that demand something from you, but they are cute, funny, entertaining, warm, and very loving when they want to be...as long as you learn to read their moods.


Successfully Living - With a Cat

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Thursday, November 17, 2011

Gemini DJ MRC-6 DJ Mixer Case

!±8± Gemini DJ MRC-6 DJ Mixer Case

Brand : Gemini | Rate : | Price : $99.95
Post Date : Nov 17, 2011 15:34:37 | Usually ships in 1-2 business days

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Sunday, November 6, 2011

Review of the BOSE PAS - Professional Music System

!±8± Review of the BOSE PAS - Professional Music System

The BOSE PAS was 1st brought to my attention on http://www.dj-forum.co.uk by Richard Mills. Since then I know that several members here have purchased one (or more) and my various excursions on the net to research this system got me thinking that it was worth looking (listening) into further.

On Friday I travelled to the only BOSE shop we have here in Ireland and asked the smiling shop assistant if I could have a demo of the Bose PAS. 'What's that?'' he asked. 'It stands for Personalised Amplification System'' I said returning his smile

'Don't know it' he said 'Is it from the Pro Range?' - 'Yes' I replied, already realising that my journey was in vain. He spoke to his colleague who had heard of it but told me that they only do home entertainment at that shop. He also said that he knew of one customer that had travelled to the USA about 18 months ago to preview it and subsequently brought one back with him.

Anyway to cut a long story short they gave me the number of BOSE Ireland and when I returned home even though it was 5.30pm on a Friday Bank Holiday weekend I called the number. The person who answered told me that someone would call me back shortly. Ten minutes later I had the contact details of the nearest PAS stockist - some 75 miles away.

Saturday PM I saddled up the car and rode out of town . 2 hours later, after battling with the Bank Holiday traffic I walked into this music store and my first impression was 'That sounds sweet'. At that stage I didn't know what was playing from what (it was a guy singing to a backing track) but as I walked down the shop I recognised the 'Radiator' of the PAS and it was obvious that this was where the sound was coming from. I then walked to each area of the shop, which was about the size of a venue that would seat 100, and, sure enough, the sound was as loud in the corners as it was standing right in front of the system.

I've heard 100's of PAs during my career and this is not like any one of them. I tracked down a member of staff and asked them to play a CD & turn it up. They played a Bob Marley song and this is only way I can describe it:

'In the late 1980s I heard my very 1st CD, played on a Sony Walkman with Sony headphones and, even though I didn't know the song, it was like I was there as it was being recorded'. This is the second time when I have been taken aback with sound quality in that way because I did feel that Bob Marley was in that shop . Anyway I spent the next 2 hours in the shop, not trying to find Bob Marley, but to get to the nitty gritty.

So onto the system. The guts are in a base unit (PS1) which was larger than it looks on all the pictures I had seen. In fact when I saw this I thought 'Why so big?' but can't think of any reason other than it houses 750 watts RMS in 3 amps and is designed for band use rather than disco (it goes behind the band). I suppose it could go behind the DJ too, The unit is robust plastic and can be stood on (this is recommended by BOSE when inserting and removing the speakers) but it does have a large 'footprint'. The controls for the amplifiers are at the rear of the PS1 and covered by a rather flimsy flap that opens backwards (I would have preferred the flap to open the other way & protect the inputs/controls etc) from the front.

There are 4 inputs - 2 either balanced/unbalanced (jack or XLR) and 2 more unbalanced (jack) The 1st 2 also have the option of assigning them preset values so for instance pre-recorded music would have a value of '00' (or '57' for low volume) and a SM58 mic would use '14' however these are only for direct input of the device and do not really apply when using a mixer. Most of the other presets are for various brands of guitar, double bass, microphones, keyboards etc. Inputs 3 & 4 are 0db lines and are designed for CD players etc.

The radiator (L1) contains all the mid/high range speakers (24 in total). It splits in 2 which is just as well as it stands over 7 feet tall. The connections are made automatically whenever the unit plugs in to the PS1 and there is a footswitch to release the locking mechanism at the end of the function. There is some movement when the L1 is connected into PS1 - it can sway a couple of inches from left to right and an inch front to back

The bass bins (B1) connect to PS1 using 4 way speakon connectors (the extra 2 wires are used by PS1 to determine if 1 or 2 B1s are being used). A lead is supplied with each B1.

The system also comes with a wired remote control (complete with Velcro) so that the volume, bass treble and middle can be controlled + the input from the 2 channels can also be balanced. There are 2 LEDs on the remote control unit which change from green to red if the system is overloaded. If a mixer is being used then the remote doesn't have as much importance however if it is not connected the system uses a default '12 0'clock' position for these controls when the input is on channels 1 & 2.

Whilst I was at the shop I helped the salesman unpack and prepare two complete systems. The padded bags for the PS1 were really tight and I managed to break the zip on one whilst trying to close it . The padded bags for the B1s simply slide on and there is a flap to access the handle on the speaker. The radiator splits in 2 and there is a bag for each - be aware that one bag is very slightly larger than the other and the only way to find this out is to lay them together (worth marking I think).

Weight wise, because the system breaks down into so many parts, even stairs wouldn't be a problem. I carried 2 PS1s (16Kg each) for a short distance and it was similar to going on holiday with suitcases. The rest of the system is lighter and I found no problem with 2 x L1s (4 bags - 2 in each hand) for a walk of 20 meters. The B1s are even lighter still.

Pros.

Sound Quality

Sturdy overall construction

Ease of transportation/connection/storage

Cons:

PS1 bag too small

PS1 itself has a large footprint

Flap on PS1 for controls not protective enough

The bags for the B1s could do with a pocket for the speakon lead

An expensive system

My personal opinion is that BOSE have come up with something here that is different & special. It is expensive, however from my enquires it is unlikely to come down in price for some time yet - in fact at the moment demand is exceeding supply (the shop I was in now has a waiting list and during my 2 hours there was a constant stream of people who had heard that this system was on demo and had travelled, like I had, for some distance to hear it in operation). The salesman I was with, who had worked there for some 20 years, had never experienced an interest on this scale in any other product from musicians. (They received their first 12 systems last week and the two I helped to unpack were the last ones reserved and, as I said, they now have a waiting list.).

The appliances are made in China (what isn't these days) and I suppose that eventually another manufacturer will come in with a comparative system at a lower price. How long until that happens though is anyones guess.


Review of the BOSE PAS - Professional Music System

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Wednesday, November 2, 2011

Play Creedence Songs On Guitar

!±8± Play Creedence Songs On Guitar

Anyone who has bought an "easy-play" guitar book and tried to
play a Creedence song on guitar will know the frustration and
disappointment as the sound of the first wrong chord echoes
across their practice room.

The problem is Creedence songs seem easy to play (that's why they
turn up in so many beginners guitar books), however like every
thing, there is a trick to getting something so simple to sound
like the recorded version.

John Fogerty is the lead guitarist and songwriter behind the
popular Creedence songs. John is a master of understatement on
guitar who understands that true technique is the ability to be
able to create a simple memorable musical phrase (guitarist's
often call these phrases riffs) that people can immediately
identify with a particular song. Guitarist's often call these
phrases riffs.

Within the first three seconds of any Creedence song you can tell
which song you are listening to. These guitar riff's are like
musical "number plates" that help the audience identify the song
... and they work!

Listen to the first five notes of "Down On The Corner", the riff
un mistakenly belongs to that song. Whereas a guitarist of lesser
caliber than John Fogerty could waffle on with dozens of notes
that would have little impact on the listener.

John is also the master of the basic three minute radio song.
Most Creedence songs range between three to four minutes in
duration which is ideal for radio airplay. Three minute songs
are the favorite length for radio stations as they allow for the
maximum number of advertisement slots per hour that can be sold
thereby creating the most revenue for the radio station and of
course the more radio friendly the song is the more likelihood of
the song getting played on air.

The first issue when playing Creedence songs on guitar is how to
get that Creedence sound. The chord progressions look simple, why
don't they sound like the record?

There's two main reasons why most guitarists don't get that
Creedence sound on their guitar: (a) Most Creedence songs in the
"easy play" style books are written in a different key than the
recorded version. (b) for certain songs John Fogerty uses a
guitar that is tuned differently than standard tuning.

Standard guitar tuning is:

6th string = E,

5th string = A,

4th string = D,

3rd string = G,

2nd string = B,

1st string = E

John Fogerty's guitar tuning for songs such as "I Heard It
Through The Grapevine", "Run Through The Jungle", "Midnight
Special" etc., is:

6th string = D,

5th string = G,

4th string = C,

3rd string = F,

2nd string = A,

1st string = D,

Basically it's your standard guitar tuning a whole step lower
(two frets), this creates a big, rich, dark guitar sound and also
makes the strings easier to bend because there is less tension on
the strings.

Another tip for playing Creedence songs on the guitar is to use
an effect called "tremolo", you can hear great example of what
the tremolo effect sounds like if you listen to the first chord
of midnight special.

Tremolo is an electronic effect that was standard on many
amplifiers built in the 70's amps such as the Fender Twin reverb
and Kustom amps had two controls in the tremolo section of the
amp.

One control was "depth", which was the amount of the effect you
could mix with your original sound. The other control was "rate"
which was used to control the speed or rate of repeats of the
effect per minute.

When you play Creedence songs on the guitar keep this in mind
some songs are standard tuning and other songs use the whole step
down tuning.


Play Creedence Songs On Guitar

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